Memento Mori

This show is the result of working in the Astoria Visual Arts Artist in Residence space for four months. During this time two trends emerged, that of skulls as a Memento Mori theme, and that of trees rooted in a complex of biological communication with other species.

In a sense one species yielding its constituents to another, as a form of feeding, and finding nutrients, is a reminder of the transitory nature of life.
Trees then became the most symbolic vector of natural loss, and decomposition, rendering minerals as food, and a symbol of interconnectedness amidst the inevitability of death.

In the case of painting skulls, there was a desire to connect with tradition, and improvise on a familiar theme. There was no over-bearing meaning, just a familiar object that could be improvised on like a musical theme. The form itself offered the most potential, along with colors and tones laid side by side.

Thus both themes speak to the temporal nature of beings. This seems more pronounced with trees of the northwest, with symbiotic relationships between moss, lichen, and mycelium forming a conduit of energy and the continual exchange of information and the transformation of matter, easily seen as a moment mori of being in the present, ever becoming other things, and other life-forms.

Hopefully there are some moments of subtle meditation on transitory states, the interconnectedness of things, and symbiotic relationships.

Change and the mercurial nature of all things that bear form are the themes of these pieces. As a remembrance of mortality I am reminded of organic decay. As with death, the subject is unseen - natures' decomposers, and rebuilders who borrow from one form to build another.

Roger Hayes
January 2018
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